Showing 37–48 of 667 results

Althorp – Victory Oak – Silas’ Side Table

A Khaya and reclaimed oak side table, the rectangular planked and breadboard top above a moulded frieze, on bobbin turned

Althorp – Victory Oak – Talbot Barrel Accent Table

An antiqued wooden barrel, the circular top above planked sides bound by hand-forged iron riveted straps and hand-painted with the

Althorp Living History – Admiralty Accent Table

A mahogany lamp table, the circular brass bound top fitted with a frieze drawer on three bound brass hilted sabres

Althorp Living History – After Dinner Drinks Table

A flame mahogany, Movingue and rosewood banded Gueridon table, the circular top with a brass molded edge, the plain frieze

Althorp Living History – An Accent Table After The Regency

A mahogany and flame veneered lamp table, the rectangular moulded edge top with inset bevelled edge glass, on square tapering

Althorp Living History – Beats In Time

A mahogany and brass drum shaped box on a brass stand with lion claw feet joined by concave stretchers and

Althorp Living History – Caryatids Accent Table

A mahogany and ormolu mounted occasional table, the brass bound shaped circular top above a morado veneered frieze enclosed by

Althorp Living History – Louis Xv’s Caryatids Side Table

A mahogany, flame veneered and finely cast brass mounted occasional table, the brass bound shaped circular top above a morado

Althorp Living History – Pierced Vitrine Side Table

A mahogany and glazed vitrine, the rounded rectangular top with a pierced brass gallery, each drop side with an inset

Althorp Living History – Sunderland Candle Stand Accent Table

A mahogany candle stand, the circular moulded edge top on a delicately turned baluster column terminating in a dished and

Althorp Living History – The Admiralty Accent Table

A mahogany bedside lamp table, the rectangular top fitted with a finely cast gallery of crossed sabres above two graduated

Althorp Living History – The Butterfly Accent Table

A marquetry inlaid butterfly work table, the top inlaid with morado, burl and amboyna and with two hinged ‘wing’ panels